The unclean traces are mainly painted on the matt-transparent plastic foils that cover every single canvas. With this trick, the artist can conceal and edit the underlying images without destroying them and making them completely invisible. In this method, the painterly and spiritual principles are inseparably intertwined. Light and agile, grounded in the material color and incomprehensible at the same time, the compositions are the (painting) expression of a (selective) reality, which is full of restlessness, explosive power and treachery.

Casual red boots and fine splashes of paint are interlocked with a soft yellow field or the solid silence of a wrapping paper surface; forms of plants and tears from the newspaper, sharply outlined and unrecognizable figures interpenetrate each other. The whole is made up of countless large and small elements, bulky and unconventional pushing in all directions without falling out of order. Everything is connected and glued to everything, a moving realm of infinite possibilities and related opposites full of questions and poetry.

Köln, Lichthof, Lotharstrafle 14-18, Mo-Fr 9-18, bis 14. Mai 2002